Dagens Nyheter, November 14, 2017
Sebastian Johans, “Konstrecension: Allt blir ett flöde hos Madeleine Hatz – verk på verk” (Review of Madeleine Hatz’s exhibition “Songs from the Underground” at the Royal Academy of Arts, Stockholm)
Gotlands Allehandla, 14 July 2016
Hanne Mi Jakobson, “Madeleine Hatz målar sig igenom censuren”
(“Madeleine Hatz paints herself through censorship”)
Gotlands Tidningar, 15 July 2016
Edvin Högdal, “Hatz tog med sig elden hem från Kina”
(Hatz Brought Fire Home from China”)
Skånska dagbladet, 5 October 2013
Caroline Stenbäck, “Samhällskritisk konst i kryptan”
(“Socially critical art in the crypt“)
Paletten #278, 2010
Sophie Allgårdh, “Madeleine Hatz intar gatan i New York” (“Madeleine Hatz claims the streets of New York”)
Paletten #278, 2010
Sophie Allgårdh, “Aktivism & censur i skuggan av 11 september”
(“Activism & Censorship in the Shadow of 9/11”)
The New Yorker, 27 June 2005
Artnet.com, May 2000
Walter Robinson, “Weekend Update”
The New York Times, 5 May 2000
“Galleries: Chelsea”
“Ej Priviligierade Rum / Unprivileged Spaces” catalog, 1999
Raphael Rubinstein, “Space Under Pressure”
Review Magazine, 1998
Dominique Nahas, “Madeleine Hatz: Palettes”
Art in America, January 1998
Elanor Heartney, “The Return of the Red-Brick Alternative”
The New York Observer, October 1997
“Artist Ascending a Staircase”
Art in America, November 1997
Raphael Rubinstein, “Madeleine Hatz at Art Nation”
The New York Times, 19 June 1994
William Zimmer, “Rugged Paintings Showing the Evanescence of Photography”
